ABOVELeslie and her husband, Richard, are true DIYers. Not only did Leslie design the space, she and Richard (along with the help of a few friends) did the demolition, they installed tile and hung wallpaper and fixtures. To read more about Leslie’s renovation, and to see more of her DIY projects, visit paperdaisydesign.com
A little experience goes a long way, especially when you are a DIY designer like Leslie Davis. By pairing that know-how with vision, you can accomplish just about anything. Leslie and her husband, Richard, did just that when they happened upon a foreclosure in their Hoover neighborhood. The couple decided to put their experience to the test as they took on a complete master bathroom renovation. “The room was already large, and we didn’t really change the footprint of the space, but we did take it down to the bare bones, ” Leslie says. The existing bath, with its brown-painted ceiling, drab wallpaper, and dark-wood cabinets felt more like a cave. To brighten up the space, Leslie and Richard used an abundance of marble offset with beautiful molding. “The molding sets the stage for the overall feel of the room, ” explains Leslie. “There are a lot of strange angles and numerous doors, which can feel awkward and cluttered. The marble and molding ties it all together to create a cohesive look.”
Why we love it
1. MARBLE EFFECT According to Leslie, “Nothing says opulence like marble.” And this bathroom has plenty of it, starting with marble porcelain tile that covers the floor. Darker Arabescatus marble tops the vanities and offers a nice contrast to the light scheme.
2. METALLIC ACCENTS Touches of gold in the form of lighting, hardware, and fixtures continue the luxurious theme. The silvery taupe in the tile and wallpaper add even more shimmer.
3. WALLPAPER Leslie chose wallpaper for the water closet. The pattern is a modern take on classic Chinoiserie. Its iridescent quality fits well with the refined features of the main space and adds interest—door opened or closed.
4. FREESTANDING SOAKING TUB “The tub may be my favorite part of the room, ” says Leslie. “We replaced and enlarged the window above it to bring in more light.” Sheer window treatments offer privacy.
5. HEATED FLOORS Leslie and Rob loved the heated floors in the master bath at their previous home, so they installed them here. They may not seem like a necessity, but Leslie says once you have them, you won’t want to live without them.
ABOVEA deep soaking tub with a picturesque view offers the epitome of relaxation in this revamped master bath designed by Leslie Davis of Paper Daisy Design.
RESOURCES Designer: Leslie Davis, Paper Daisy Design [email protected] • paperdaisydesign.comVanities: Wayfair wayfair.comCountertops: Premier Surfaces • 205.664.1440 premiersurfaces.comTile/backsplash: South Cypress • 800.891.2623 southcypress.comFixtures: Wayfair Floors: South Cypress Rugs: Wayfair Hardware: Delta Champagne Bronze from Wayfair Paint color: On the Rocks by Sherwin Williams sherwin-williams.comShower door: Professional Glassworks Moulding: Metrie Wallpaper: Candice Olsen for York, Wallpaper Boulevard wallpaperboulevard.com
Photography by Jean Allsopp / Styling by Melanie Grant
When Tracey Anderson called upon kitchen and bath expert Cyndy Cantley and interior designer Mark Kennamer to renovate her master suite, she had one request. “She didn’t want to change the size of either space, ” says Cyndy. “The master bath is not a large room, but she really wanted to work with the square footage that was already there so she didn’t have to carve any space away from the neighboring bedroom.” With these parameters in mind, Cyndy and Mark set about creating an elegant yet functional suite that made use of every inch. “Cyndy, Mark, and I collaborated to create an elegant, soothing retreat, at the same time giving this section of the house a much-needed update, ” Tracey says.
ABOVE Even with space at a minimum, Cyndy found plenty of places to create hidden storage and keep the vanity uncluttered.
Why we love it
1. WALL OF MIRRORS Every dressing area needs a mirror, and this one has its fair share. Mirrored closet doors span an entire wall to help make the intimate space feel a bit roomier.
2. PLAYFUL PATTERN What the bath lacks in space, it more than makes up for in style with an abundance of bold-patterned wallpaper. The brown-leaf motif blends well with the natural hues of the wicker storage baskets and bamboo shade.
3. CLEVER STORAGE Instead of installing medicine cabinets, Cyndy opted for storage niches next to the vanity. Wicker baskets fit snuggly into each niche, keeping towels and toiletries out of sight. A vanity in the dressing area offers plenty of drawers to keep makeup and jewelry organized. Tall, slender side cabinets flank the vanity for more space-saving storage.
4. POWDER PUFF Nothing amps up the coziness factor like accessories full of fluff. Here, the softness of the bedroom rug is carried over onto the vanity stool in the dressing area.
RESOURCES Designer: Cyndy Cantley/Cantley & Company • 205.324.2400 cantleyandcompany.comInterior designer: Mark Kennamer/Mark Kennamer Design • 205.413.6976 markkennamerdesign.comBuilder: Cleve Shearer/Shearer Building Company • 205.229.1104 shearerbuilding.comCountertop fabrication: Honed Imperial Danby from Birmingham Marbleworks • 205.988.5585 Countertops: Calacatta Gold from Triton Stone Group • 205.592.0202 tritonstone.comCabinets and crystal knobs: Cantley & Company Floor tile: Honed Herringbone Calcutta Marble by Fixtures & Finishes, LLC • 205.323.5616 fixturesandfinishes.comTub/shower tile: Fleece by Wizard Enterprise • 323.756.8430 wizardenterprise.comAll fixtures: Fixtures & Finishes Plumbing fixtures: Jacobean Series in Nickle finish by Newport Brass • 949.417.5207 newportbrass.comSconces: Camilla Sconce by Suzanne Kasler: Circa Lighting circalighting.comChandelier: Sonoma Home williams-sonoma.comCustom shower curtain: Western Drapery • 205.870.3060 windowtreatmentbirminghamal.comMatchstick blind: Skandia Melhanna skandiawf.comVanity stool: West Elm westelm.comWallpaper: Odhni Gold from Designers Guild designersguild.comPaint color: Swiss Coffee by Benjamin Moore benjaminmoore.com
Photography by Jean Allsopp / Styling by Melanie Grant
1 head cauliflower, stalks removed, cut into florets
1 egg
1 egg white
1 cup shredded part-skim mozzarella cheese, divided
¼ cup finely shredded Parmesan cheese
2 garlic cloves, minced
2 tbsp finely chopped fresh oregano
4 tbsp. finely chopped fresh basil, divided
¼ tsp kosher salt
½ cup homemade marinara or pizza sauce
½ medium red bell pepper, seeded and diced
½ medium green bell pepper, seeded and diced
¾ cup sliced fresh mushrooms
½ cup chopped onion, optional
1. Preheat the oven to 425°F. Line pizza pan and baking sheet with parchment paper.
2. In a food processor pulse cauliflower until fine. Place in large microwave safe dish; cover and steam in the microwave 6 minutes. Let cool.
3. In a large bowl, combine cauliflower, eggs, ½ cup mozzarella, Parmesan, garlic, oregano, 2 tbsp. basil and salt. Transfer to center of parchment paper lined pan and spread into a 10″ circle, resembling a pizza crust. Bake for 20 minutes.
4. Top with remaining cheese, basil and sprinkle evenly with bell peppers, mushrooms and onion, if desired. Bake 10 minutes or until cheese melts. Serve immediately.
New Year’s Good Luck Soup
Prep: 15 min. • Cook: 50 min. • Yield: 4 servings
12 oz. smoked sausage, sliced
1 tsp olive oil
1 small onion, chopped
2 carrots, peeled and chopped
2 celery stalks, chopped
3 cloves garlic, chipped
1 tbsp. finely chopped fresh thyme
½ tsp. crushed red pepper flakes
4 cups reduced-sodium chicken broth
1 (14½ oz.) can diced tomatoes, undrained
5 cups chopped kale or fresh collard greens
1 (15½ oz) can black-eyed peas, rinsed, drained
In a large Dutch oven sauté sausage in hot oil over medium-high heat 5-7 minutes or until browned; drain and return to stove. Add onion, carrots, celery and garlic and sauté 5 to 7 minutes more, stirring occasionally until tender. Stir in thyme and red pepper flakes; cook 1 minute more. Add broth and tomatoes and bring to a boil; let simmer over medium heat 10 minutes, stirring occasionally. Stir in kale; reduce heat to low and simmer 25 minutes, stirring occasionally. Add black-eyed peas and cook 5 minutes more. Add lemon juice, salt and red pepper flakes if needed to taste right before serving.
4 boneless pork loin chops
1½ tsps Greek seasoning
Salt and pepper
2 tbsp olive oil
2 tbsp plus 1 tsp fresh lemon juice, divided
6 oz. nonfat plain Greek yogurt
2 tbsp chopped fresh dill
1 tsp grated lemon zest
1½ cups chopped cucumber, divided
1½ cups diced tomatoes
1/3 cup diced red onion
¼ tsp kosher salt
1. Season pork chops with Greek seasoning, salt and pepper. Drizzle with 2 tbsp olive oil and 2 tbsp lemon juice. Place in resalable plastic bag and refrigerate for at least 20 minutes.
2. In a small bowl, combine yogurt, dill, 1/2 cup cucumber, lemon zest, 1 tsp lemon juice and salt, if desired.
3. In another bowl combine tomato, remaining cucumber, red onion, and 1/4 tsp salt.
4. Spray your grill’s cooking grates with nonstick cooking spray. Preheat grill to medium-high heat (350°F to 400°F).
5. Once preheated, grill pork for 3 minutes on each side or until an instant thermometer registers 140°F. Remove pork from pan and serve with tomato mixture and tzatziki sauce.
Note: You can also cook this in a skillet over medium-high heat for 3 minutes per side or until an instant thermometer registers 140°F
Easy Kale Salad
Prep: 15 minutes • Yield: 4 servings
3 cups finely chopped kale
2 cups finely chopped arugula
4 radishes, sliced
1 yellow bell pepper, seeded and thinly sliced
1 avocado, peeled and diced
½ cup chopped, toasted walnuts
1/3 cup dried cranberries or yellow raisins
Balsamic vinegar
olive oil
freshly ground pepper
In a large bowl combine kale, arugula, radishes bell pepper, avocado, walnuts and cranberries. Drizzle with balsamic vinegar, olive oil and pepper; serve immediately.
Twin chevron-front, built-in cabinets, flank the limestone fireplace and give the living room’s plain walls texture. The space is open to the breakfast room and kitchen and is connected to the screened porch and terrace. Photos by Jean Allsopp
When one of your dearest friends is Birmingham-Charleston interior designer Tammy Connor, you know exactly who to contact when you want to upgrade your home. And when you are Tammy Connor, and your close friend calls on your talents, you know exactly how to make her new home into one that will fit her like a bespoke suit—perfectly shaped to her family’s needs and her personality.
“They have two young boys and a dog, so they wanted this to be a family home that their children can grow up in, ” Tammy says of the 1990s-era Homewood house.
In order to tailor the existing structure to the family, Tammy reflected on her friendship with the homeowner. “She likes fine things but is so kind and focused on real things, ” Tammy says. “To me, that translates into the same characteristics for the interior.” The result? Rooms that are truly inviting without being pretentious or untouchable.
Without an architect on the project, Tammy took on that role as well, starting with complete redesigns of the kitchen and master bath. She also added large windows and doors throughout the house, as well as a screened porch and a terrace to extend the living space into the out-of-doors. The addition of refined architectural details, such as ceiling beams, gives the house a distinctive voice.
The décor, Tammy says, is all about subtle colors and softer textures with a mix of wood, metal, marble, and stone. “We used contrasting textures in building materials and fabrics and furnishings, and then accented with contemporary art and cleaner light fixtures to update the scheme a bit, ” she says.
The colors on the main floor offer a refined palette of cool neutrals. “They are soothing, and they complement the homeowner and her personality, ” Tammy says. “They also reinforce the indoor/outdoor connection.” Upstairs and in the basement, where the focus is more kid-friendly, the décor becomes more bright and playful. “The second floor houses the kids’ bedrooms, and the basement level is where the kids have friends over to play.” In these spaces, Tammy used less-precious selections “that are functional and practical at the same time, ” she says.
However, “this house is full of highs and lows in terms of our selections, ” continues the designer. “Not everything is fine. But having some fine things mixed in with other nice things keeps the interiors from becoming stuffy even though the style is traditional, ” Tammy says. “That mix creates an inviting family home.”
And for this particular family, Tammy’s tailored mix offers the right balance. “My job is to make a house reflect my clients, ” says Tammy. “It’s about them having a refuge and a place to make memories.”
The kitchen renovation resulted in a space that Tammy describes as “simple but refined, traditional but clean.” Shaker-style cabinets show off furniture-maker details.
Tammy’s architectural updates included raising the living room’s ceiling, adding beams overhead, and installing large windows and French doors. “Those changes really transformed the space and connected it to the outside, ” she says. A Swedish cabinet stocked with a collection of white ironstone gives the room an air of relaxed elegance.
Three fabrics—a tone-on-tone linen at the windows, a velvet headboard, and a strié upholstery on the bench—create subtle pattern, texture, and nuance. Mercury glass lamps sit atop simple antique tables. A natural fiber rug is topped with an antique Oushak. “The room is layered and applied in a way that is not so serious, ” Tammy says.
RESOURCES Designer: Tammy Connor Interior Design • 205.871.9797 tammyconnorid.comCabinetry: Lane Woodworking • 205.337.2811 lanewoodworking.comExterior and porch lanterns: Architectural Heritage • 205.322.3538 architecturalheritage.com Rugs: Tammy Connor Interior Design Reading room: custom wood finish John Powers European Finishes lantern: Mayer Lighting • 205.583.3400 mayerlighting.comFamily room accents: Ashford Hill for Henhouse Antiques • 205.918.0505 henhouseantiques.com chandelier, Swedish cabinet, sofa, cocktail table: Tammy Connor Interior Design kitchen: plumbing and tile: Fixtures and Finishes • 205.323.5616 fixturesandfinishes.comAppliances: Ferguson • 205.254.3454 ferguson.com countertops: Pacific Shore Stones • 205.943.0060 pacificshorestones.comHardware: Brandino Brass • 205.978.8900 brandinobrass.comPendant lights: The Urban Electric Company urbanelectricco.com stools: Tammy Connor Interior Design fouta towels: Suite Dreams 205.414.1922 dinnerware: Table Matters • 205.879.0125 table-matters.comScreened porch: wicker: Kingsley Bate kingsleybate.com pillows and throw: Tammy Connor Interior Design French demijohn: Antiquities • 205.870.1030 Master bedroom: towels: Suite Dreams Plumbing fixtures: Fixtures and Finishes Countertops: Pacific Shore Stones Master bedroom: chandelier: Arteriors Home arteriorshome.com bench: Hickory Chair hickorychair.com mint julep cup: Argent Antiques • 205.871.4221 argentantiques.com
ABOVE Two busy parents enlisted a team of local experts to create a French-inspired kitchen in the heart of Mountain Brook. Published in “French Connection, ” July/August 2016.
ABOVE A new Southside home combines modern amenities with the classic architecture that cues the neighborhood’s historic charm. Published in “Serene Retreat, ” January/February 2016.
ABOVE A Homewood Tudor’s makeover exudes a light attitude throughout with its neutral palette, dashes of color, and mix of family antiques. Published in “Hollywood Classic, ” May/June 2016.
ABOVE By taking design cues from existing structures and the land itself, Peter Falkner creatively integrates a saltwater pool, outdoor room, and fireplace into a backyard garden footprint. The outdoor room provides welcome shade in warmer months. Its cupola, tin roof, and lattice detailing mirror other nearby structures. Published in “Terraced Delights, ” May/June 2016.
ABOVE After a pesky water leak required extensive repairs, a Liberty Park owner got the casual, rustic kitchen of her dreams. Published in “Rustic Elegance, ” July/August 2016.
ABOVE The dark walls of this guest bathroom offer a unique contrast to the light décor throughout the house. Published in “Elegant Restraint, ” Sept/Oct 2016.
ABOVE Courtney and Bryson Stephens collaborated with designer Shea Bryars to give her traditional kitchen a fresh makeover. Published in “Sleek & Stylish, ” July/August 2016.
ABOVE When interior decorator Dana Wolter faced a dated style and palette in Suzie and Jim Link’s Tuscaloosa home, she gave heavy the “heave ho” with paler shades and brushes of color while still incorporating some of her clients’ choice antiques throughout. Published in “A Brush with Color, ” January/February 2016.
ABOVE Club Place, a gated neighborhood in Mountain Brook, is surrounded by weathered brick walls. While the walls created wonderful parameters for the garden, they needed to be softened. Landscape designer Kelly Hulsey implemented several methods including vertical plantings and climbing vines to make them a seamless part of the garden. Published in “Beyond the Gate, ” Sept/Oct 2016.
ABOVE Designer Pam Evans' finesse at merging antiques with more modern pieces extends to the master bath with its Venetian mirror and chrome-legged stool. White marble mosaic floor tiles from Walker Zanger add pattern and interest to the otherwise serene space. Published in “Elegant Restraint, ” Sept/Oct 2016.
ABOVE This kitchen design allows for small appliances to be tucked away in generous cabinets while open shelves show off a pretty collection of white china that pops against the rough stone wall. Published in “Relaxed Refinement, ” July/August 2016.
ABOVE A playhouse and cottage garden atop Red Mountain revels in fairytale notions. Published in “Garden of Small Delights, ” March/April 2016.
ABOVE Taking a cue from Coco Chanel, Pam Evans turned her home into the epitome of edited style with its white background, shots of black, and one-of-a-kind accents throughout. Published in “Elegant Restraint, ” Sept/Oct 2016.
ABOVE Homeowners Caroline and Kyle Sain exposed the concrete floor joists on the second story to define the ceiling, refaced and repainted cabinets, and worked with Triton Stone to update the floor tile and countertops in their kitchen. Published in “Built to Last, ” May/June 2016.
ABOVE With the help of builder Clark Parker of Embassy Homes, Burgin and Chris Vernon designed an elegant master retreat that seamlessly blends with the original house yet offers an escape from the hectic pace of daily life. Published in “Great Escape, ” January/February 2016.
ABOVE This front room previously served as a dining room. When the latest incarnation saw it as a formal living space, Meredith decided to float the antique daybed underneath the antique iron-and-crystal chandelier to open up the room. With the update, the space became a haven for a mixture of styles such as the more modern industrial pecky cypress bookshelf, the classic Asian Jade disk, a contemporary Tizio lamp in the background, and an ornate urn by the window.
Ranch-style homes are often given a bad rap. The floorplans are predictable, and for the most part, outdated. Still, with a few minor tweaks, these straightforward layouts are easily amenable to contemporary living. Birmingham-based interior designer Meredith Sherrill reimagined and revived the rancher she shares with husband John and their boys by turning the outdated floorplan into a clean-cut, free-flowing venue for both formal entertaining and daily life.
One glance into the Sherrills’ home puts even the most harried mind at ease with its intentional simplicity. “It makes me feel calm not to have too much going on in a space, ” Meredith says. She gravitates toward textiles with natural colors and textures rather than busy patterns. White-oak hardwood floors, left nearly natural, are complemented by surrounding cream-colored walls from Pratt & Lambert. The dining room’s wooden table, with its simple but bold Greek key design, adds a layer of texture to the otherwise sleek space. The kitchen houses a massive limestone island and custom leather benches that are as inviting for a cup of tea as they are for a cocktail.
ABOVE Meredith uses a vintage French laundry basket to hold her Christmas presents, which are wrapped in shimmery metallic papers from Paper Source at The Summit and finished with bronze and copper ribbon from Smith’s Variety.
By opening the kitchen to the family room with an elliptical arch, the designer created a natural flow and personalized the space by showcasing her collection of international and local artifacts.
Multifunctional pieces in a soothing color palette ensure that Meredith can mix, match, and relocate almost anything on a whim—and she does. “I feel like I’m constantly moving things around or adding things and taking away, ” she says. “If I put something in a room that looks too fussy, I’m pretty quick to realize it and take it away.” But be warned that such ease in remastering a room comes with a cost. “My husband and friends and family think I’m truly insane because I am constantly rearranging our rooms, ” Meredith laughs.
The designer also enjoys moving her collection of atonal pieces around and combining them with her more eye-catching artifacts, such as the African necklaces showcased in the foyer. She explains that these changes allow for effortless and satisfying updates to any room. From African and Asian textiles to family heirlooms and local art, Meredith’s artifacts meld together in perfect harmony thanks to the neutral backdrop of the interiors. As a result, the house comes across as part living space, part art gallery, and part haven—exactly the look that defines Meredith’s style.
ABOVE The reconfigured kitchen continues the neutral theme, allowing for pops of color in the seasonal greenery.
ABOVE LEFTCustom faux-leather cabinets with a simple nailhead trim sit atop two crisp iron bases in the dining room to house Meredith’s dishes, serving pieces, linens, and party supplies. “Instead of building in another pantry or closet, I wanted something I could take with me to my next house, ” she says.
ABOVE RIGHT Meredith uses natural elements to elevate everyday decor. Rosemary from her garden encircles a coconut cake from Edgar’s Bakery.
ABOVEBlushed burgundy drapes and an oblong accent pillow lend color to the bedroom’s serene palette. A painting by Birmingham artist Lacey Russell is suspended from the drapery rod above an antique bench. An antique Chinese trunk and a French desk become his and hers bedside tables.
ABOVE LEFT An African Kuba cloth from an open-air market in France covers an antique French armchair in the living room, adding texture to the space while maintaining the earthy color palette.
Thistle Collection
Perched on a stool from Meredith’s grandfather’s Tennessee antique shop, Johnny (2) and Madden (4) model outfits from the Thistle Collection, created by Meredith and her business partner, Jeanette Hightower.
In the Spring of 2016, Meredith Sherrill debuted her children’s clothing line called Thistle Collection. Inspiration for the line arose from two places in the interior designer’s life. The first, she says, was having two little boys and being unable to find clothes that she wanted to dress them in. A long-time proponent of clean, streamlined neutrals, the designer wanted something different from the traditional frills of baby clothing. The second inspiration came from having an abundance of leftover fabrics from design projects that already reflected her personal style. Armed with the idea and the materials, Meredith reached out to friend Jeanette Hightower to help make her sketches a reality. The duo has been working together since, adding new items every season.
Thistle Collection features mostly unisex items such as overalls, rompers, button-downs, harem pants, dresses, and bloomers in sizes from 0-24 months up to 4/5. The most appealing aspect of the line is that all of the pieces are made to coordinate with one another—just like the neutral fabrics in Meredith’s interiors. The collection is sold through Instagram, with orders made via phone or email or at thistlecollection.com.
RESOURCES Interior design, architectural design, custom furniture, lighting: M. Sherrill Design • 205.451.7055 [email protected]Builder: Leo Payne • 205.965.0283 Kitchen: cabinets: M. Sherrill Design hardware: faucet by Rohl; rohlhome.com appliances: European Kitchen of Alabama • 205.978.5629 europeankitchenal.com French limestone countertops and marble tile/backsplash: Synergy Stone • 205.556.8115 synergystoneinc.com Triton Stone Group • 205.592.0202 tritonstone.com kitchen stools: Circa Interiors & Antiques • 205.868.9199 circainteriors.comDining bench: Verellen verellenhc.comBathroom hardware: M. Sherrill Design Powder room fixtures: faucet by Rohl marble sink: Circa Interiors & Antiques Living room chairs and pillows, African necklaces, and Asian jade disk: Circa Interiors & Antiques Bedroom: coverlet: Restoration Hardware 205.967.1901 restorationhardware.com shams: Libeco libecohomestores.comKitchen color: Pratt & Lambert: Arrowroot prattandlambert.comLiving, dining room color: Pratt & Lambert: Manchester Master bedroom color: Pratt & Lambert: Ancestral powder room color: Pratt & Lambert: Zinc
Text by MOLLY C. LiPSKI / Photography by jean allsopp
Where did the idea for FireRock come from? When we started, we were just a fireplace manufacturer. As our business grew and we developed relationships with custom residential architects and custom builders, we saw an opportunity to expand into other categories to meet their needs. The builders and architects were underserved, and we realized that if they had a single supplier that provided great service and a wide range of products, it would make their lives a lot easier.
What other products do you offer? We still manufacture masonry fireplaces and concrete tile/pavers, but we are also a supplier of metal fireplaces, slate and cedar roofing, steel doors and windows, hardwood flooring, and natural stone. Some of those products aren’t on our website, but we’ve got them all in the showroom.
What makes FireRock different from other supply companies? We have direct competitors within each product category, but we’re not aware of anybody trying to sell the wide range of high-quality products on a national basis. For any type of project, we provide a superior level of service before, during, and after the sale. We work within budgets to allow for easier decision making. We install our products, and we are available if there are any issues after the install. Each FireRock product is reviewed and approved by a renowned group of the nation’s leading architects, and the materials come from some of America’s best suppliers or are produced by artisans based in Birmingham. Because of the strict standards that FireRock maintains, our products are safer, longer lasting, and easier to work with for architects, builders, and DIY homeowners.
Do you offer design assistance? We work with architects during the design phase when they reach out to us, but we don’t do specific design work. We support the architects and designers when they have questions or need help in the design and drawing of their plans, and we install to their specifications.
Do I have to build a new house to use your products? Of course not. While our products are often included in the initial plans for high-end construction homes, some of our products, such as our fireplaces and pavers, are certainly appropriate in outdoor settings for a backyard remodel or an expansion. Our products can be worked into most any space a customer has to work with. There are lots of people that buy just an outdoor fireplace, and in some cases, a DIY person could even put it together themselves. The fireplaces come in a kit that can be assembled very quickly, which cuts install costs for customers to around 70% less than hiring a mason to build one from scratch. FireRock products come in varying sizes and styles, so it’s easy to find the right product for your space.
Firerock • 1500 1st Ave N #75 Birmingham. 205.639.5000
Interview by Molly C. Lipski // Photograpy by jean allsopp
These candy-adorned architectural pieces are no child’s play in the Roth household. Decorating the perfect gingerbread house is serious business here where the Roth children compete with their parents to concoct the most fantastic result. The secret lies in using a hot glue gun to keep walls upright. Photos by Jean Allsopp
Longtime Birmingham residents who had the good fortune to have their portrait taken by photographer Barbara Harbin may find these images of the Roth home vaguely familiar. The home and garden on Dell Road served as a studio for many children’s and family’s portraits. Embracing the good aura, Kathleen Roth and her family purchased it and set about creating a backdrop for their own life.
Kathleen is quick to point out that there was not much that needed to be done to make the home reflect their personal style. She selected a new color scheme, added some bookshelves, and began to fill the interiors with antiques, family pieces, and her husband’s treasured tomes. The only space that underwent a major change is her Key Circle Press studio, located adjacent to the garage.
As the holiday season approaches, Kathleen enjoys preparing the home and curating most of the rooms herself. “We love to be surrounded by things that, for one reason or another, are special to us, ” she says.
The kitchen and children’s den both have a decidedly whimsical bent and feature bright pops of color in the ornaments and décor. In the den, which was once a sun porch, a tree with huge boughs showcases the many ornaments Kathleen and David have collected over the years. For the 2015 Independent Presbyterian Homes Tour, Kathleen really let her artistic side come to life in her studio. “I wanted to have non-traditional materials as decorations, ” she says. “Since I work with paper, I thought it would be fun to decorate with it.”
Tapping into her creativity, Kathleen built the tree using her trusty glue gun and a lot of chicken wire, poster board, and felt. It proved to be a showstopper during the 2015 Independent Presbyterian Homes Tour. With as much work as the project entailed, Kathleen counts herself lucky to be able to reuse the tree year after year.
Kathleen searched for a long time to find just the right tall and slender faux pine to showcase her family’s holiday cards. She loves how the cards nestle in between the narrow boughs, becoming ornaments themselves. The Cyndy Cantley-designed kitchen is flooded with light, making it the perfect backdrop for the large apothecary jars Kathleen fills with old-fashioned candies.
The paper holly garland that lines the banister to her studio was a labor of love. Having seen an idea online for the design, Kathleen created a template for the leaves and cut each one by hand. She then folded and creased the cutouts to resemble real leaves. Paper strips in bright reds wrap around forms to fashion the holly berries.
Kathleen designed the graphic tree in her studio by using a chicken wire base. She wrapped the frame in poster board for sturdiness, then covered it in felt and adorned it with a hand-cut strand of ornaments. Apprehensive about trying this DIY at home? Start with tabletop sizes before you go big. A vintage cuckoo clock purchased at Tricia’s Treasures was a dark black forest hue before Kathleen had the clever idea of having it custom lacquered. Originally destined for her daughter’s bedroom, the clock has found its forever home here in the studio, where the cheery yellow certainly sets the mood for the day.
RESOURCES Letterpress studio: architect: Taylor P. Davis, AIA • 205.623.5236 tpdarchitect.comConstruction: Day Star Construction • 205.591.0751 daystarconstruction.comStructural engineer: Lowell Christy, Christy-Cobb Inc. • 205.933.1080 christycobb.comKitchen: interior designer: Cindy Cantley, Cantley & Company • 205.324.2400 cantleyandcompany.com antique Turkish Kilim runner: Paige Albright Orientals • 205.877.3232 paigealbrightorientals.comIsland color: Benjamin Moore: pilgrim haze benjaminmoore.comWindow trim color: Benjamin Moore: eclipse Formal den: ship model: Christie’s Auction house christies.comWall paint: Benjamin Moore: Ashley Gray Breakfast room: light fixture: Stray Dog Designs • 866.478.7297 straydogdesigns.comFoyer: antique Oushak rug: Paige Albright Orientals vintage chair: L. Hitchcock • 860.738.9958 hitchcockchair.com
Anyone familiar with designer Lisa Flake knows she has a bolder-is-always-better philosophy when it comes to interiors. So when friends Mary Beth and Rob Howland purchased their 6,800-square-foot Shook Hill Circle home, Mary Beth knew Lisa was the person to call. The European-style house is impressive in its own right with its dominant arcades and limestone exterior, but Mary Beth needed someone to help push her traditional style to a new frontier and make the interiors just as dynamic. “Lisa worked with me to find the right balance between fun and traditional to make the home livable and comfortable, and she made it fit our family and our lifestyle, ” she says.
Ray Jordan of Flowerbuds massed white blooms of amaryllis, peonies, hydrangeas, tulips, hybrid delphiniums, and euphorbia to create the arrangement on the dining table.
Mingling their design philosophies, Lisa added pops of color and glamour to a neutral backdrop in the living room. Lee Industry chairs received graphic navy-and-white print pillows. Contemporary gold lamps from Atmosphere Home Essentials bring pizzazz, while a traditional muted rug speaks more quietly. Large columns and multiple doorways prevented the use of a typical sofa that would have blocked too much of the room off, including the view to the backyard pool and patio. To keep it open and still comfortable, Lisa brought in four chairs and a round table instead.
In the dining room, the designer papered the walls in an overscale Victorian damask and layered on more prints with custom draperies, a diamond patterned rug, and dining chairs covered in a chic python print. “The dramatic scale of the traditional print on the wallpaper gives this room that punch it needs while keeping a hint of the tradition that Mary Beth loves, ” Lisa says. “The python print offers a modern feel, while traditional pieces like the antique buffet and china cabinet keep it grounded.” Hammered gold lamps from MCJ interiors and a chandelier from Hiltz-Lauber bring in the metallics and glamour.
In the master bedroom, Lisa updated a pair of French armchairs with a patterned fabric and fur pillows. “Refreshing antiques with updated upholstery can give furniture—and a room—a whole new look, ” she says. Amber accents on the crystal chandelier and starburst mirror play to the warm wood tones. Wallpaper on the ceiling and the limestone fireplace temper the room’s grand scale and keeps things cozy.
In 2015, the Howlands enjoyed the first Christmas in their new home. To celebrate, they shared the house with friends and neighbors by putting it on Independent Presbyterian’s Holiday Home Tour. The Howlands worked with Ray Jordan of Flowerbuds to develop spectacular holiday scenes both indoors and out with garland, trees, and wreaths draped in lights, ornaments, and ribbon. Outside, Ray chose a chartreuse color scheme for the front gate wreaths, as well as for the tree and mantel on the pool house patio. In the main living areas inside, he primarily used gold, silver, and bronze so as not to fight with any patterns. “Gold and silver are neutrals that go with everything, ” he says. “They really complement the existing look in each room. The home is already so elegant and grand year-round, we simply built upon it for a festive, holiday feel.”
The already grand entrance and staircase, featuring beautiful stone floors and limestone, is given a cheerful holiday boost with drapes of garland accented with gold and silver beading, silver ribbon, and pinecones.
Floral designer Ray Jordan stayed with the neutral color scheme Lisa established in the main living areas. He focused primarily on ivory, silver, soft gold, and bronze for the Christmas tree ornaments and ribbon and added in pops of blue. “We didn’t want the holiday décor to be strikingly different,” he says.
A fresh garland with a strand of white lights drapes across the mantel to create a romantic glow in the evening.
A large wreath embellished with a chartreuse green ribbon welcomes guests at the front gate.
The same look is carried over to the pool house patio’s mantel and tree.
RESOURCES Designer: Lisa Flake, Caldwell Flake Interiors • 205.222.9139 caldwellflake.comFlowers: Ray Jordan, Flowerbuds • 205.970.3223 flowerbudsinc.comLiving room: chandelier: Circa Interiors & Antiques • 205.868.9199 circainteriors.comLamps: Atmosphere Home Essentials • 205.324.9687 Table: Richard Tubb Interiors • 205.324.7613 richardtubbinteriors.comDining room: chairs: Birmingham Wholesale Furniture • 205.322.1687 birminghamwholesale.comLamps: MCJ Interiors • 205.458.2700 Chandelier: Hiltz-Lauber • 205.879.0039 hiltzlauber.comBedroom: artwork over mantel: Antiquities • 205.870.1030 Fur throw and bedding: Three Sheets A Linen Shop • 205.871.2337
A few years ago, architect Bruce Lanier and his wife Scottie realized the need for a space in Birmingham where artists and craftspeople could gather, share ideas, and progress their careers. The first iteration of this idea took place at the old Continental Gin Industrial Park, where a small group of woodworkers, welders, and screen printers shared supplies and space and where various introduction classes were taught.
During that initial run, the Laniers realized that people were more interested in acquiring actual workspace, not just access to machines, equipment, and classes.
To accommodate those needs, the couple acquired the former RAM Tool & Supply warehouse and implemented their revised MAKEbhm plan. Some tenants from the old space set up shop in the new location, and word began to spread in the maker community. The website touts, “We provide space, tools, power, WiFi, and coffee. You provide the inspiration and perspiration.”
The overall vibe at MAKEbhm is palpable—you can’t see or touch it, but you know it’s there. Inside, a variety of creative types—introverts and extroverts working side by side, artists painting on paper or wood, craftsmen manipulating clay or metal—engage with one another and offer encouragement. And no matter where their artistic interests lie, they all agree on one thing—it’s the community that keeps them coming back for inspiration to create their best work possible.
Jewelry designer and goldsmith A.K. Hall speaks so softly that you need to lean in to hear her, but doing so affords you a better view of the many rings that adorn her hands. Each designed by Hall, some rings are delicate bands while others feature raw diamonds or a chunk of turquoise. And in many ways, the jewelry reflects the artist: quiet but strong, delicate but unwavering, organic and enduring.
Hall is not what you’d typically envision as an artist wielding a soldering iron and working in chemical alloys, but dig a little deeper and you discover she has a strong background in science and math. Having studied out west under artist Kristin Diener and at San Francisco’s acclaimed Revere Academy, Hall pairs classic instruction with an artist’s inspiration. She notes, “I’ve never been about perfection. Handmade things are never perfect. I think imperfections, especially in jewelry, are very pretty—just they are like in people.”
Hall says that the MAKEbhm space might prove to be one of the best tools in her arsenal. She credits the community effect in providing inspiration and structure to help her focus on her craft. An introvert by nature, Hall often wondered what it might mean to be in this hive of activity. She has since discovered that this environment allows her to thrive and grow, one gorgeous piece of jewelry at a time.
You might wonder how a maker could accomplish anything in a 9- x 9-foot space. Well, it seems that it is just the right size to house an antique letterpress, which is exactly what Chris Smith was looking for. While Smith has long been interested in the art of letterpress, he has only recently come to have a press of his own: a 1, 300-pound 1902 Chandler & Price 8 x 12 machine. Having taken classes in Huntsville with Green Pea Press and The Open Press in Chattanooga, Smith later interned at Smokey Road Press in Athens, Georgia, and with Terry Chouinard in Chattanooga, Tennessee. And while this art of creating coasters, business cards, and note cards still remains just a hobby for him, it is one he is excited about sharing with other people. “My setup at MAKEbhm allows me do that, ” he says. “I am glad to have the machine in a place where I can use it.”
When he is not at MAKEbhm, you can find Smith behind the bar at Urban Standard downtown, where he first learned about what Bruce and Scottie were doing in Avondale. “When I originally acquired my machine, I was living in an apartment and I knew I could not have it in there, ” he says. “I heard about MAKEbhm from somebody at work and then came by to check things out. I thought it would be a good fit.” And as it turns out, his small space is the perfect fit.
Spitfire. Powerhouse. Firecracker. These are all words that come to mind when you meet artist Amanda Petro. To think anything less would be to underestimate the amount of talent and grit she has in her tiny frame.
Petro worked with Bruce Lanier to create her ideal work environment at MAKEbhm. A high-backed open desk with room to hang her art-in-progress is juxtaposed against large white walls that she uses as additional workspace. Petro sometimes likes to sit on the floor and create so that the paint-splattered carpet provides comfort and sound absorption.
“I thought I liked working alone. But then I met (fellow maker) Susan Gordon in an exercise class, ” says Petro. “She mentioned having a space here, so I decided to check it out. Scottie (Lanier) gave me a tour. I liked the space so much that I moved in the next day.”
You can find Amanda Petro Art around town at places like Chickadee in Cahaba Heights or at her December 8th pop-up event at the Crestline Village location of Cotton & Quill. A well-curated Instagram account also showcases what she can do with paint and canvas. In describing her art, Petro says, “Everything I do is just really colorful with a lot of movement and energy. I’m also known for texture. I like to use thick oils. I do an under-painting in acrylic and then paint over it in oils.”
There seems to be no end to where Petro finds her inspiration, as she fills book after book with thoughts, quotes, drawings, and ideas. But it might just be the MAKEbhm space that inspires her the most. “Being here is a lot like being in art school—the community, the vibe, the sharing, the collaboration—but there are no grades and assignments.”
Psychologists call the act of copying another’s movements mirroring. Start a conversation with Amber Rosenberg and you will quickly find yourself shifting to the front of your seat, unconsciously emulating the positive energy and excitement she exudes. Her enthusiasm for the work she does—creating custom, hand-lettered art and globes—is so obvious that you can’t help but want to know more about her craft.
What began as a passion for fonts and a single Etsy post has blossomed into a full-blown career for Amber and her husband who handles the business side of Newly Scripted. “A couple of years ago when we were briefly living in Delaware, I started doing some custom chalkboard ornaments, which really took off, ” says Rosenberg. “But then a lot of other people started doing chalkboard things, so I wanted to try something new. My son had a globe in his nursery and I just decided to paint it, label it, and put it on Etsy. It sold like that!”
Her business may only occupy a 9- x 9-foot area on the MAKEbhm floor, but Rosenberg’s infectious spirit certainly spills over. “I really needed someplace where I could keep all of my stuff, but I didn’t know that just anyone could have a space here. I thought you had to be invited! I reached out (to the Laniers) for a tour and fell in love.”
Rosenberg gets giddy talking about what this space means to her business. “I can come and interact with other artists and we can inspire each other. And then I can still have a little time to myself.”
Pair one Alabama-born carpenter/designer with one Los Angeles-raised graphic designer, add in equal parts opportunity, inspiration, and a dash of destiny, and the end result is Alabama Sawyer, or ALASAW. Leigh and Cliff Spencer enjoyed a thriving bespoke woodworking business in Venice, California, for years before deciding to relocate to Birmingham and take their creative venture in the next logical direction. Cliff says, “Four or five years ago, we felt like we had hit the ceiling of the custom cabinetry/custom woodwork business in Los Angeles. We had great clients but we were doing the same thing over and over again. We knew we needed to grow and change the nature of our business if we were to keep growing creatively.”
Fast forward a few years and that is where the destiny part comes in. “In 2014, I spoke at Design Week Birmingham about urban timber and urban salvage, ” says Cliff. “I talked about this idea that Alabama has the second largest urban forest in the nation and that all of the trees were going to the chipper or landfill. I was telling people that they should be using that wood for other things.” As it turns out, Cliff and his wife were the ones who followed his own advice. They quickly realized that Birmingham was where they needed to take their business.
At first, the couple considered setting up shop by themselves, but the chance to bunk in at MAKEbhm has added a component to their work they never considered needing—community. They have forged relationships with other designers and architects, partnering on projects that have genuine impact. One of Cliff’s first projects in the Birmingham community was in reusing trees felled at the new Creative Montessori School site in Homewood. Cliff says, “The school was really attached to those trees and hated to see them go, so to have that wood become a part of the new school—in paneling, benches, tabletops and on the playground—is incredibly meaningful.”
While many of the other makers occupy a single 9- x 9-foot space at MAKEbhm, Susan Gordon leases six contiguous spaces to form a mini-production facility for her handmade ceramic wares. Her creations are rolled out in slabs of gray clay, and then shaped, molded, fired, glazed, embellished, and shipped from this one spot. She and her team turn out a wide range of items: plates, bowls, serving pieces, cake stands, and even jewelry. “All of my golding team members are painters by trade, ” she says. “It is a very meticulous process, and you need it to be exact and perfect.” Gordon’s overall operation has grown significantly since leaving her original studio in the small Homewood basement that she shared with a few spiders. “I am an extrovert by nature and I do not like working alone, ” Gordon says. “It makes me lonely.” The space at MAKEbhm gives her the freedom to pursue more retail accounts (over 80 so far) and the execution of new ideas.
This time of year sees an increase in production of seasonal items like her bespoke Nativity sets and angel ornaments. You can find her work online or locally at Winslet & Rhys (also at MAKEbhm), Chickadee, and Artelier. A portion of all her holiday sales will go to supporting The International Justice Mission, a ministry close to Gordon’s heart. In addition, Gordon has a new partnership with the Rwandan Children’s Project (thercp.org). She will be producing keepsake ornaments with sales benefiting orphans half a world away.
Growing up in Indiana, Joel Shaw discovered a love of working with his hands while taking ceramics classes offered at his high school. A cross-country/track and field scholarship brought him to Samford University, where he continued to develop his ceramics craft while earning an accounting degree. The name of Shaw’s website/business, EugeneSailorStudios.com, pays homage to his grandfather Gene, a craftsman who made Shaw appreciate not only the history of materials but the true usefulness of an object. Shaw has had space with MAKEbhm since its inception, finding great value in the community of artists who spend time here, the sharing of ideas, and the equipment Bruce and Scottie Lanier supply.
Not all makers work in wood, ceramics, acrylics, or paper. Sometimes makers need to go big and industrial. Basham Johnson is one such maker, and his story is fascinating.
Having been in aviation all his life (he is currently a commercial pilot for FedEx), Johnson maintains a passion for engineering and problem-solving of the highest order. With a flight schedule which allows him concentrated time on and a generous amount of time off, Johnson has the flexibility to pursue another passion. His excitement is contagious as he translates his scope of work: “About 2½ years ago, I had the idea to try and figure out how to channel a lot of the heat energy waste created in aircrafts and other places and turn that into electricity using a concept called thermo-electrics. I entered Alabama Launchpad, where we were finalists and financial winners. Since that time, we have added two more folks to the team. We currently have a working prototype on a small aircraft at the Birmingham airport and have been building a full-scale prototype.”
In today’s world, it is becoming increasingly rare to find people who do only one thing as a career. There are bankers who might cater on weekends, teachers who are seamstresses in high demand, and professional photographers who make honey. And then there are the two women behind Winslet & Rhys Mercantile at MAKEbhm.
Brittany Baker is a graphic designer by trade while Mallory Collier is a full-time architect with Brasfield & Gorrie. The fruit of their partnership fills a light and airy spot at MAKEbhm and is named after variations on their maiden names (Winslet and Rice). “A lot of the products we carry are produced by makers right here in this same building, ” Baker says.
The creative seed for Winslet & Rhys can be found in Baker’s bespoke letterpress line, Oliver Tell Studio, housed in the back corner of their space. There you’ll find her two letterpress machines—Phineas, a large stand-alone Gordon treadle press, and Amelia, a Chandler & Price Pilot tabletop press. Baker’s cards are sold at the Mercantile, and custom orders, such as the wedding invitations she created for Collier, can be ordered online at OliverTellStudio.com.
As for the rest of the store’s offerings, the products featured are roughly 40-50% local in origin. One of the best-selling items is a candle with a custom scent, created locally by Great Bear Wax Company. But in every category—baby presents, home goods, women’s clothing—Baker and Collier agree on one overarching tenet: an emphasis on good design and good quality.
What MAKEbhm can do for you
Whether you are looking for a small office, a cubicle, or a spot at a community table, MAKEbhm has just what you need to tackle your next endeavor. Flesh out that business plan you’ve been meaning to complete, develop the screenplay you have always talked about, or meet with out-of-town clients in a barista-free location. And if you are a maker wishing to turn your culinary skills into something more, check out the MAKEbhm kitchen. For more information on renting space or to schedule a tour, go to MAKEbhm.com