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Mid-Century Made Modern

The living room’s roofline and surrounded-by-glass openness is original to the house, although all the windows have been replaced. The fireplace wall, however, said goodbye to its rock facade and hello to a neutral grasscloth wallcovering. “The house is mostly white,” says Lucy. “I have a hard time committing to color and wanted to at least start with a clean palette.” The living room opens up to the patio and waterfall. “Just crack the door and let the sound rush in while enjoying a cup of coffee and a book,” Lucy says. “It clears your head.” Photos by Jean Allsopp

Anybody who grew up in Anniston in the 80s and 90s knows about the “Hillyer Hilton.” The moniker was attributed to a sprawling mid-century home on Hillyer High, a street stretching along one of the city’s mountaintop neighborhoods. Over the years, area kids heard stories about the house, and grownups coveted invitations to the chic residence that was made for entertaining. When the home’s architectural style eventually waned in popularity and the original homeowners downsized, the house went quiet and sat vacant for several years. “It was in need of attention, but it had potential,” says designer Lucy Smith. “It had once been quite a home, and it deserved—and was begging for—someone to bring it into the present.”

Lucy and husband Henry bought the home with the intention of giving the under-appreciated structure a new story. She had a vision of what it could be despite the faded wallpaper and the yellow faux-marble vinyl tile on every room’s floor “except for the staircase which had wall-to-wall olive green shag carpet,” Lucy laughs. The home had a soaring A-frame living room with what she refers to as “a 14-foot-tall, floor-to-ceiling, rappel-worthy rock wall.” In addition, it had loads of privacy (despite being mostly glass), breathtaking views, five bedrooms and three baths, and a huge rock waterfall on the back patio. Lucy even fell in love with that carpeted staircase. “It’s acrylic and brass and original to home—beyond groovy!” she says.  

For the exterior, Lucy explains that after getting some initial suggestions and sketches from a couple of different architecture firms, she and Henry decided to keep it simple and handle those updates on their own. But when it came to the interiors, she gives accolades to contractor David White. “His attention to detail and quality craftsmanship are astounding and admirable,” she says. “He patiently gutted this house and put it back together with a two-man crew, taking all of my wild requests and ideas in stride and almost always saying ‘Yes, we can do that.’ ”

While the home’s footprint gained just 3 feet on a portion of the front, the interior’s main floor was totally reimagined by Lucy and made into reality by David. “The kitchen was a small, closed-in space—as expected in homes of this era—so we knocked out walls and made room for a butler’s pantry,” says Lucy. “That space is where we make smoothies, lunches, and cocktails.” Open shelves feature her collection of new and vintage glassware.

To further open the floorplan, David took out the formal dining room and made the kitchen one large space with a banquette. Lucy designed the fluted kitchen cabinets and the range hood. “Henry handled the fabrication of the hood,” she says.

Opening up the floorplan allowed for a new kitchen with dining area and large island. “The swivel barstools are my favorite,” Lucy says. “They were from some sort of 80s hospitality situation.” Banquette seating welcomes a crowd. “This is our main dining table, and I didn’t want anything too heavy feeling because it’s so large,” the designer says. Old Wood Co., owned by friends of Lucy’s in High Point, created a custom top for her own metal base. The chairs, upholstered in velvet, add a vintage feel.

For interior finishes and materials, Lucy called on her close friend and Birmingham interior designer Lisa Flake. The two women collaborated, one room at a time. “We would talk over details and fabrics and which crazy ideas were actually possible,” Lucy says. “Lisa is a marvel at making decisions, and I tend to have a harder time. She is courageous and confident in her design style, and that makes us a good team.”

While the house now boasts a designer aesthetic, its beauty belies the fact that it is also a bustling family home—Lucy, Henry, and their three teenagers live in every room. “We hang out at the big island in the kitchen and in the sitting area, but we also spend lots of time playing cards or games at the dining table,” says Lucy. “During football season, we gather in the den. And, of course, we enjoy sitting outside by the pool.” With all of this activity under one roof, it’s clear that this mid-century architectural gem has reclaimed its extraordinary status. 

      

Nine years ago, armed with a degree in interior design and a husband in the sheet metal business, Lucy started her metal furniture company, Lucy Smith Designs. Since her debut show at Gallery 1930 in English Village, Lucy has expanded her reach to High Point market and now has showrooms and designers representing her product across the U.S. and beyond.

Mad for Modern

A rarity in Anniston, this mid-century modern home would have made Mad Men set designers swoon. For homeowner and designer Lucy Smith, it reminded her of her grandparents’ Birmingham home. “I have a sense of nostalgia for that style,” she says.

That Staircase!
“Honestly, the staircase is one of the main reasons I bought the house,” Lucy says. “The clear acrylic panels are all original and in amazing shape considering their age. Just a few not-so-noticeable scratches.” The runner is a flatweave seagrass from Hiltz-Lauber Furnishings.

The Views
Upstairs, Lucy says she reconfigured the space to accommodate her three children. “We removed a literal dark room where the previous owners developed photos. Now it’s part of the kids’ den, which overlooks the city. The kids have the best views,” she says. The upstairs bedroom belongs to 16-year-old Hadley.

A Streamlined Exterior
Even with a small bump-out added to the front of the house, updates to the “Hillyer Hilton” exterior were minimal. “We kept the same long, skinny mid-century brick but updated it with a white coating,” Lucy says. “And all the windows and doors are new.”

Water Features
The pool was also an original feature of the home. Landscape architect Hilary Ross drew up a plan to give it a contemporary, squared-off feel by incorporating more grass to soften things. “The shape of the pool stayed the same, but we resurfaced it with a dark bottom,” Lucy says. “And we were able to use some of the original bluestone surround.”

The home’s casual, wide-open, take-a-deep-breath attitude is epitomized by the waterfall just off the back patio, which can be enjoyed from the living room, kitchen, and master suite.

RESOURCES
Interiors: Lucy Smith, Lucy Smith Designs, lucysmithdesigns.com; Lisa Flake, Caldwell Flake Interiors, caldwellflake.com Contractor: David White Construction, 256.239.5558 Art over mantel: William McLure, williammclure.com Kitchen Cabinet Color: Repose Grey, Sherwin-Williams, sherwin-williams.com Butler’s pantry walls: Dovetail, Sherwin-Williams Chandelier in bath: Anthropologie, anthropologie.com

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Custom Classic

Photos by Jean Allsopp

When Lynn and David Clanton decided to downsize, the one thing they didn’t want to give up was a spacious, luxurious bath. “I still wanted each of us to have our own, separate areas for getting ready in the mornings and for storing things,” says Lynn. With that request in mind, Twin Construction designed a symmetrical plan with his-and-her vanities flanking the freestanding, soaking tub. “The space used to be a bedroom, so we had plenty of room to create this custom layout,” says designer Danielle Robin.

Things We Love

Natural Light and Privacy
“We placed windows up high above the tub to bring in plenty of sunlight without sacrificing privacy,” says Danielle. “Lynn especially liked the fact that she would not need to cover the windows with shades.”

Classic Materials Used in New Ways
Nothing ups the luxe quotient like marble, and this bath offers plenty of it. To add some visual interest, Danielle used the material in unique ways, starting with the herringbone pattern of the floor. A marble backsplash behind the tub takes the place of adds a feminine touch with its sculptural curves.

Polished Nickel Finishes
”I wanted this space to have some warmth, so I chose polished nickel finishes,” says Danielle. “They not only work well with the warm, wood stain of the cabinets, but they also add a classic feel to the room.”

RESOURCES
Designer:  Danielle Robin of Twin Construction, 205.802.3920, twincompanies.com Builder, Architect, Cabinets: Twin Construction Hardware and bath accessories: Brandino Brass, 205.978.8900, brandinobrass.com Fixtures and tub: Ferguson Showrooms, 205.254.3454, ferguson.com Countertops and tub backsplash:  SurfaceOne, 205.621.1125, surface1.com Tile: Triton Stone, 205.592.0202, tritonstone.com

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Fine Balance

The house was designed by Henry Sprott Long & Associates while the original landscaping comes from the genius of Ryan Gainey. Photos by Jean Allsopp
For the large-scaled den, Beth needed to include some generously sized pieces such as the square coffee table in shagreen from Defining Home, which adds visual weight to the room. A dramatic chandelier—one of a pair purchased on 1st Dibs—proved ideal for setting off the high-beamed ceiling.

What to do in a large bowling alley-shaped den with four entrances, 13-foot ceilings, and a collection of exotic animal trophies, plus the need to be party-ready in less than 10 weeks? Well, if you are a savvy homeowner, you get some backup support. “I hired Beth not only because I knew she could tackle this challenging room, but also because I admired her style and ability to infuse modern elements into a house while working with what I already had,” says the homeowner. “She’s not a dictatorial designer but rather a very collaborative one.”

Beth’s jumping-off point for the den involved adding some pieces with a light and sophisticated touch to tie in with the hunting trophies. She included an oversized coffee table, a rug with a tribal pattern from Paige Albright Orientals, and re-covered French armchairs in vintage zebra hides with exposed manes that the homeowner discovered when searching for unique finds online. “She has such a beautiful collection of antiques, so we used them in the den to bring some warmth and age to the large space,” says Beth. She also hung the homeowner’s large chandeliers, purchased on 1st Dibs. “I had buyer’s remorse about them, but Beth simply looked at them and said, ‘Let’s use them.’ They ended up being perfect,” says the homeowner. Though stylish, the room offers comfort with new generous upholstery and swivel chairs. “We needed a lot of seating in the space, and it had to be positioned so everyone could see the TV which was hidden in a cabinet—a bit of a challenge in the long, linear-shaped room,” says Beth.

While the den was the most immediate concern, Beth also turned her attention to other rooms. The living room had beautiful antiques but needed more of a connection to the other spaces given the openness of the floor plan. “I added a zebra rug and fur pillows,” says Beth. “And to instill a modern edge, I included a glass coffee table.” In the kitchen eating nook, the owner already had a crystal chandelier, but something felt off. “Instead of suggesting something new, Beth added black shades, which gave that perfect punctuation mark in the space,” says the homeowner.

To inject a modern edge into the antiques-filled living room, Beth added a zebra rug, fur pillows made from a vintage fur coat, and a two-tiered glass coffee table. With privacy not an issue, Beth dispensed with window treatments to keep with an architecturally clean line and to put the focus on the antiques. Books, mirrors, and special pieces from the homeowner’s collection of antiques bring elegance throughout the home.

   

The designer also encouraged her client to display some treasures that were hidden away. “She has amazing collections of treasured porcelain, and we decided to show them off rather than store them,” says Beth. “We stacked the plates in various leveled tiers on the twin buffets, which gave them a sculptural look. Now, my client can admire them every day, and they create a topic of conversation for guests.” Silver came out of hiding, as did antique chess pieces that Beth placed near a grouping of antique, white-leather books.

The overall design scheme reads streamlined and neutral, allowing the antiques to shine against the primarily white palette and pine floors. To keep the space from looking too sparse, however, Beth brought in some handsome yet glamorous elements such as French mirrors, luxurious skins and furs, tribal accents, and touches of faux fur. The result is a home that strikes a perfect balance in every way.

    

The remodeled kitchen includes Calacatta Vagli marble, which is a touch more subtle than its gold cousin. Existing cabinets were reused. The breakfast nook provides that great balance of old and new as a crystal-and-gilt French chandelier holds court with a tulip table and antique jeweler’s clock.
In the decidedly French master bedroom, Beth was inspired by European luxury hotels. The sophisticated look springs from the faceted crystal chandelier, carved gold headboard, and white bedding.

Beth McMillan

People hire Beth for many reasons—for her sense of color, her fashionable edge, and her keen eye when it comes to fabrics and scale. But perhaps most importantly is Beth’s ability to turn a client’s heartfelt desires into beautifully appointed and highly livable spaces. She doesn’t make sweeping statements about how a space should be but instead truly listens to each client to make sense of it all. And although each of her design schemes is highly personal, there are a few things that Beth loves—compelling art, antiques mixed with more modern pieces, and some glamorous touches.

RESOURCES
Contractor: Steve Ray, Ray Building Company, 205.868.6800 raybuildingcompany.com Interior Design: Beth McMillan, McMillan Interiors, 205.527.9792, mcmillaninteriors.com Landscape: Daviscapes, Inc., 205.453.5275. Den: rug: Paige Albright Orientals, paigealbrightorientals.com; antique books: Antiquities, 205.870.1030, shopantiquities.com; antique chest: Architectural Heritage, 205.322.3538, architecturalheritage.com; sofas: Lee Industries through Richard Tubb, richardtubbinteriors.com; Kelly Wearstler bench: Circa, circainteriors.com; Master Bedroom: Matouk linens: Three Sheets, threesheetslinen.com; martini table: Design Supply, 205.777.3464

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Winter Whites

White Empress Camellia

There’s one word that seems to perfectly sum up winter weather in the South—unpredictable. One day the temperatures may dip below freezing, and the next day we find ourselves wearing short sleeves and possibly even shorts. And thanks to those warmer days, our gardens can come alive with fragrance and blooms in beautiful shades of white and yellow that brighten our spirits in the midst of an otherwise dreary season.

Paperbush

As I walk through my own winter garden, I especially enjoy the fragrance of winter honeysuckle. This old-fashioned, semi-evergreen large shrub covers itself with tiny, clear-white blooms that cling tightly to the stems and fill the air with a sweet scent. Nearby, the bright white stems of baby’s breath spirea help erase the gloom of a gray day. But perhaps the showiest whites on warm winter afternoons are white empress camellia and paper bush (also known by its scientific name, Edgeworthia). While most gardeners are familiar with the pinkish red empress camellia (also known as Lady Clare), the lesser known white selection offers a beauty all its own that shows itself in a few select blooms during warm winter periods. And paper bush continues the off-season spectacle with its nodding flowers that adorn the deciduous stems and emit a strong fragrance more enjoyable from a distance than close up. While this plant may not be as common as the camellia, it’s an easy one to grow if you know a couple of tips. Paper bush likes semi-shade and year-round, fertile, moist soil. I learned that the hard way when I lost half of mine several years ago after leaving the sprinkler system off in summer while out of town.

Certain yellow flowering plants also hit their stride in the winter months, and two of my favorites are popular in many Birmingham gardens. Winter jasmine, with its green-stemmed arching shrub, is often mistaken for forsythia when in bloom but is actually quite different except for its yellow flowers. Often seen dripping over walls, this plant will keep its arching habit of growth even if not planted above a wall. I have a mass of winter jasmine that is about 20 years old and is about 4 feet in height, but it can be kept much smaller if pruned. My other favorite is the leatherleaf mahonia that displays a whorl of flowers in mild winter periods. Make sure that you give this plant a semi-shaded or shaded location to keep its leaves from scorching. Such small efforts will reward you with winter fragrance and color for years to come.

Bring it indoors: Forcing branches of quince, forsythia, and star magnolia (above) can add a spot of color to the indoors this winter. Cut the buds when swollen and showing a bit of color. Once cut, place the branches in lukewarm water in a warm room, and they should show color in a few days.

Floyd’s To-Do List: January/February

Clean your garden
Remove the last fallen leaves from the beds, and add a light coating of new mulch. Be sure to cut your dormant turf with a bagging mower to get the last bit of refuse and dead grass clippings off of your grass.

Check for disease
Look on the underside of your camellia leaves, including sasanquas, to see if a white fuzzy material is present. If it is, you have camellia tea scale. Spraying with horticultural oil is a common method of control, but there also are some excellent chemical applications you can apply to the soil. I have had a lot of success by applying Bayer Advanced Tree & Shrub Insect Control around the plants according to label directions.

Transplant Shrubs and Trees
When digging up the plant, try to get a root and dirt ball at least as big as the canopy’s diameter. If that is impossible, reduce the size of the plant to equal the root ball’s diameter by taking out selected branches.

Prep Your Soil
If you are wanting to grow vegetables, now is the time to prepare your soil. Choose a small area in your yard that is currently empty. I like to turn the soil the old-fashioned way with a spade or turning fork. Add organic matter, if desired, and then cover the area with clear plastic. Now you will be ready for planting in late winter or early spring with no weeds to worry about. 

John Floyd has been gardening in the Birmingham area for more than 30 years. In addition to his day-to-day experience, John has degrees in horticulture from Auburn and Clemson Universities and was Editor-in-Chief of Southern Living.

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Behind the Design with Dana Wolter

Photography by Graham Yelton

Defining Neutrals
Layers and texture! In order to create depth and interest with neutrals, I like to layer in different textures of fabrics together (think velvet with linen with leather) while mixing in other finishes such as iron, glass, wood, natural stone, etc.

Interior Accents
I often will use a darker color such as a charcoal gray, chocolate brown, or black to ground a room of neutrals and then tie it all together with other accent colors in the artwork, pillows, and accessories.

Patterns and Solids
To develop a color palette for a room, I usually begin with four to six fabrics. From there, I add more fabrics as I decide where I want certain colors placed and which pieces need the more durable fabrics. I typically use solid fabrics for the upholstery and patterned ones for the drapery and pillows. By the time I have pulled all of the fabrics for a room, I may have up to 10 to 15 fabrics specified for it. The number of fabrics
also depends on the size of the space.

Practical & Pretty
I like to use quality upholstery lines that I know will last, so I often choose upholstery in solid fabrics that will not date easily. My team and I are also very strategic about where we use certain fabrics. We look at the function of the room and how much use the space will get each day. Then we add in the most durable types of fabrics on specific pieces that will take the most wear. If a fabric selected does not make the cut for durability, we commercially treat it. Visitors will never know, but it gives the client one more line of defense to enjoy the newly designed room without the worry of something being easily ruined.

Perfect Blend
Shapes, silhouettes, balance, and finishes play key roles in the design of a room. It’s important to know how to blend different materials and when to repeat a shape or finish. We look at the room as a whole and are very strategic with choices and placement.

Striking a Balance
Furnishing a home is definitely an investment, so I strive to create interiors that will last several years. I like to use classic pieces and neutral colors for my main upholstery. That’s not to say I want the room predictable or boring—quite the opposite. I always make sure to add a little edge in each room to make it special and unique—something that is a little different and customized to both the space and the client.

Attention to Detail
My goal is for a room to look inviting yet be able to breathe. When you look closely, you will see the attention to detail we gave it. I love details and customization, and my team and I pride ourselves on the time we give to them.

Custom Design
Customizing pieces to the home, as well as to how the client lives, makes the house work even harder. It also adds softness and creates a unique space different from the neighbor’s house.

Just Starting Out
If you are on a tight budget, the best place to start is with paint. It hides a multitude of sins. I would also suggest starting to collect things such as art or antique mirrors. I especially love antique Louis Philippe mirrors for their simple, beautiful lines.

Downsizing
I am a big believer that if you don’t love it, give it to someone who does. Too often, I see empty nesters who feel bad about getting rid of family pieces. Let go of the piece—and the guilt—and take the memories with you.

Dana Wolter

While Dana certainly inspires others, she also likes finding inspiration in Birmingham and beyond. This is what she is loving now.

Favorite Boutique
Birmingham is home to some of the best shops in the Southeast. I love the expansion of A’mano because they carry so many unique accessories for the home. It is a place where you can find something for everyone. I also remain true to Circa Antiques and 18th Street Orientals. Those are two of my favorite stores in Birmingham because of their quality of product and excellent customer service.

IG Obsessed      
I love @thedefineddish because of their healthy and easy recipes. It’s perfect for someone like me who is not a great cook but still wants to feed their family in healthy ways. I also love following Jonathan Van Ness (@JVN) from Queer Eye. His InstaStories really make me laugh, and who doesn’t love a bit of daily laughter?

Can’t-wait-to-try color…
I want to use oxblood for a wall color, but I need to find the right client and room.

Artist to watch…
We have used artwork from Wellon Bridgers for quite some time. I have loved watching her work evolve. She is a pleasure to work with on a regular basis.

Most excited about…
2019 is going to be a big year for us as we are expanding into other facets of interior design. We are going to be traveling more across the country for some projects, but the Birmingham ones will always be special because I love working in my hometown.

Looking forward to…
I have a big birthday coming up this summer, and with the graduation of my oldest from college and my youngest from high school, we are taking a family trip to Italy. My husband and I are soon to be empty nesters, and I see more travel in my future for inspiration in my design work.

Dana Wolter Interiors[email protected]IG: @danawolterinteriors

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Color Trends 2019

Designer Paige Schnell of Tracey Interiors was ahead of the Living Coral trend when she designed this bedroom for Birmingham contractor Mary Wyatt. Photo by Jean Allsopp

As 2018 came to a close, trendsetters in the design world announced their picks for their 2019 Color of the Year. Some chose vibrant hues that add liveliness to any space, while others opted for softer tones that create a sense of tranquility. How will you use them?

Pantone | Living Coral | 16-1546
Full of energy, Living Coral is Pantone’s pick for Color of the Year. Inspired by the beautiful hues found beneath the sea, this vivid shade often appears in the digital world as well, making it the perfect fusion for connecting a variety of platforms. “Color is an equalizing lens through which we experience our natural and digital realities, and this is particularly true for Living Coral,” says Leatrice Eiseman, executive director of the Pantone Color Institute.

Behr | Blueprint | S470-5
Behr has selected Blueprint, an approachable color reminiscent of the blueprints builders rely on to bring architectural designs to life. This hue offers the ideal, middle-of-the-road, denim color that feels slightly worn yet brings in enough color to be easily dressed up if desired.

Sherwin-Williams | Cavern Clay | SW 7701
Sherwin-Williams gives a nod to Southwest style with its choice of Cavern Clay. The earthy hue offers a balance between casual and refined and mixes well with leathers, simple woodgrains, and sculptural greenery.

Dutch Boy Paints | Garden Patch | 326-5DB
For a warm and calming effect, look to Dutch Boy’s pick called Garden Patch. When paired with soft neutrals, this botanical hue creates an oasis of welcoming peace and comfort at the end of the day.

Benjamin Moore | Metropolitan | AF-690
The paint pros at Benjamin Moore have chosen Metropolitan, a classic, neutral gray that exudes beauty and balance. Calm and composed, this color adds a sense of effortless sophistication to any space

PPG Paints | Night Watch | PPG1145-7
PPG has announced Night Watch, a rich, luxurious shade of green, as its pick. “This color brings the healing power of the outdoors into your home,” says Dee Schlotter, PPG senior color marketing manager. “Its versatility allows it to be used in a variety of settings, from healthcare to commercial and residential design.”

Ace Hardware | Pineapple Cream Granita
Ace Hardware took a unique approach to its 2019 Color of the Year by holding a contest that allowed consumers to mix colors and submit their results. A panel of 25 judges declared Pineapple Cream Granita, a light and airy yellow, as the winner. The soft hue pairs well with light grays and spa blues.

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Soup’s On

Roasted Butternut Squash Soup

1 large butternut squash, cut into 1-inch pieces, or precut pieces (4 to 5 cups)
1 onion, cut into 8 wedges
4 large garlic cloves, crushed
3 tablespoons olive oil
1 teaspoon salt
1 teaspoon pepper
1 teaspoon honey
¼ teaspoon ground nutmeg
3 (14.5-ounce) cans low-sodium chicken broth
3-4 slices of multigrain bread, cubed and toasted
Garnishes: ground nutmeg and pomegranate seeds

Preheat oven to 375°. Place squash, onion, and garlic on a large baking sheet; drizzle with oil, salt, and pepper. Toss to coat completely. Roast for 30 to 35 minutes or until tender. Place roasted vegetables in a blender. Gradually add honey, nutmeg, and broth. Blend until smooth. For the toasted bread cubes: Remove the crusts from several slices of multigrain bread; cut into squares. Spray both sides with butter-flavored cooking spray. Toast for 10 to 15 minutes in a 375° oven. Add garnishes to soup, and serve with the toasted bread cubes. NOTE: This soup can be served immediately or made ahead and refrigerated. Makes 2 quarts. Leslie Likes: Dave’s Killer Bread

Easy French Onion Soup

3 large yellow onions
3 sweet onions, such as Vidalia
6 tablespoons butter
4 to 5 sprigs fresh thyme
4 bay leaves
1 cup dry white wine
4 cups beef broth
1 (14.5-ounce) carton low-sodium chicken broth
1 dash Worcestershire sauce
Salt and pepper to taste
1 baguette
Olive oil
1 (8-ounce) block Gruyère cheese, grated

With a sharp knife, thinly slice onions. Melt butter in a Dutch oven over medium heat; add onions, thyme, and bay leaves. Stir occasionally until onions are caramelized and a rich, dark brown color, about 35 to 40 minutes. Add 1 cup white wine and next 4 ingredients. Simmer for 45 minutes. Be sure to remove the bay leaves and thyme sprigs before serving. While the soup simmers, preheat the oven to 350°. Slice the baguette into ½-inch slices. Brush both sides with olive oil; bake for 15 minutes, flipping halfway through. Remove from the oven. Increase the oven to broil. Spoon soup into oven-proof crock or bowl, place a baguette or two on top of soup, and top with cheese. Broil until cheese is hot and bubbly and begins to brown. Serves 6. 

Tomato-Celery Soup

2 tablespoons butter
1 cup chopped onion
½ cup chopped celery
1 (10½-ounce) can tomato soup
1 tablespoon lemon juice
1 tablespoon chopped parsley, extra for garnish
1 teaspoon sugar
½ teaspoon salt
½ teaspoon pepper
Garnish with heavy whipping cream and chopped parsley

Sauté onion and celery in butter; do not brown. Add tomato soup, one can of water, lemon juice, parsley, sugar, salt and pepper. Simmer for five minutes. Celery will remain crisp. Top with whipping cream and chopped parsley. NOTE: To make the whipping cream “hearts,” dollop a small dot of cream with a squeeze bottle or small spoon. Use a dry toothpick to pull through the dollop. Serves 4 as a starter. Leslie Likes: Campbell’s Tomato Soup

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Nature-Inspired Decor

In the dining room, a pickled wood table and armchairs from Gabby mix with a French antique bench and a French “king’s chair” in its original fabric. Chris’s overscaled holiday décor includes a large wreath festooned with sugar pine cones and pheasant feathers; a bread bowl brimming with amaryllis, white roses, ornaments, and greens; and twinkle-light-wrapped, lemon-leaf garlands. “The custom garlands are from a wedding I designed for friends,” says Chris. “I decided to dry them and spray-paint them flat white. Then I wrapped them in lights.” Photography by Jean Allsopp

In Bessemer, a small number of 1920s and 30s homes perch on a hill in what Chris Hutchens calls “an untouched, really cool neighborhood.” It is here that he and partner Bill Brayman bought a three-bedroom, two-bath Tudor-style home that they are slowly remodeling. Despite the house not yet being perfectly in-line with Chris’s final design vision—he is creative director for Gabby Home and Summer Classics, after all—the couple opens their doors wide to family and friends to celebrate the holiday season.

design tip: “I always start with an artificial wreath and then add real elements,” says Chris. “For this one, I used a mixed garland. I kept circling it around and layering until it was nice and full on top of the faux form. The feathers are from my Amherst pheasant in my aviary. He drops his tail once a year.”

Luckily, Chris is a seasoned pro when it comes to Christmas decorating. For years, he worked as a floral designer and event planner through his own business, Christopher Joseph Designs. “I loved my Christmas clients and had a fun time taking their style to the next level,” he says. “It’s always harder to decorate my own home, though, because I think people expect it to be over-the-top.” But the designer explains that his style is much simpler. “I like my own décor to be a little more subtle, and I try to keep it natural,” he says.

“Putting the lights on the tree is not the most fun thing to do. It involves two hours of intense focus, but it’s a real treat when it’s done,” says Chris. “In my family, we have always used colored lights on a real tree. It’s old-timey and traditional, and it has stuck with me.”

For Chris, the natural world has long been a source of awe and inspiration. As a result, his home is peppered with plants, feathers, rocks, and other finds from the outdoors, and he even has an aviary where he raises birds. “I’ve been obsessed with birds since I was a kid,” Chris says. “Around the house, you’ll see lots of Audubon prints and evidence of my obsession with waterfowl and wildlife.”

design tip: “It’s important to have rooms that feel a little less like Christmas to give you a break,” says Chris. “That way, you can enjoy the decorated rooms a bit more.” He put this advice into practice in the sunroom. “There are already botanicals in here, so the wreath with succulents and orchids is the only addition.”

On this year-round backdrop, Chris layers in holiday accents using wreaths, garlands, and lights. In the living room, the usual focal point—the mantel on which treasured finds from the couple’s international travels are displayed and knit stockings are hung with care—takes a backseat to the giant Christmas tree glowing in the corner, each branch meticulously wrapped in colored lights. “Just because you choose simple décor doesn’t mean you can’t go big,” says the designer. “Create one statement piece and keep everything else in the room a bit quieter.”

design tip: “When decorating outside, keep in mind that most people are viewing it from a distance,” says Chris. “Because of that, you need to go big.” Here, a triple-thick cedar, fir, and magnolia garland accented by clusters of giant sugar pine cones drapes the front door.

According to Chris, making a holiday statement is even more important when you’re entertaining and your home is full of people. “You have to think in terms of what is still visible when people are standing and the room is full,” he says. “Bodies cover up tabletop centerpieces and arrangements, but everyone can see what’s above their heads. So be sure to focus on those decorations that will highlight the party and show up in people’s pictures. It just makes your gathering feel that much more like a celebration.”

RESOURCES: Designer: Chris Hutchens of Gabby Home and Summer
Classics,
205.565.1262, gabbyhome.com, summerclassics.com

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White Christmas

Classic wreaths, garland and red ribbons grace the exterior, along with lots of twinkling lights. Photography by Jean Allsopp
For the cozy den, Leah created a frosty look with flocked branches, wired blush ribbons, and white lights woven in a garland over the fireplace.

A home serves so many purposes beyond mere shelter. It provides respite from our busy lives, it welcomes friends and family, and it expresses our passions. For Laura and Neill Hatcher, home represents the start of their new life together, and the couple benefitted from some great timing when it came to where that home would be.

Laura’s parents, who lived in a home that Laura owned in Mountain Brook, made the decision to downsize and move to a retirement community around the same time that Neill was moving to Birmingham with his children. The newly engaged couple decided to consider the house in their search for a residence to fit their blended family. “I had never really thought about what a perfect floor plan it would be for our situation, but it works beautifully,” says Laura. “There is a separate wing for the three girls, Nancy, Madison, and Abigail, with a bedroom for each, while Bo has a separate boy’s wing to sleep in and hang out with his friends.”

The Christmas tree in the family room, festooned with silver and pale blue ornaments, includes a spiral of white lights running to the top.

Laura and Neill were not only blending their families but also their styles, and they wanted to make the home reflect that. “I’m a little more modern, while Neill likes more traditional style,” says Laura. “I call our look ‘contemporary Georgian,’ if there is such a thing!” And while Laura was adept at merging family heirlooms with newer pieces, she reached out to interior designer Lisa Flake to bring in some color and her signature flair. “I really just added a layer to what was already there,” says Lisa. “Laura has great taste and is decisive, which made working with her a breeze. Plus she likes purple, a color I don’t usually get to showcase in a design scheme.”

In the foyer, a festive vignette greets guests with pretty ribbons, greenery and a Madonna placed on an antique box.

Lisa used lavender, blue, cream, and rose in light touches throughout the main floor. “She wanted a softer palette for the family spaces, but we also included metallic finishes for a more transitional feel,” says the designer.

Each room has a special piece or treatment that makes it come to life. In the foyer, for example, an antique Oushak rug hints of what’s to come. “Lisa brought over several rugs for the foyer, and although all were beautiful, the last one laid was a rug with a prominent blue color that we both just loved,” says Laura. “We knew immediately it was the perfect rug for the space. It really sets the tone for the rest of the house.”

Candles in silver holders bring holiday warmth the dining room. 

The den, painted a striking gray, including the ceiling, doors, and bookcase, offers a cozy place to watch television in front of the fire. Gilt accents in the form of a fireplace screen, lighting fixtures, and end tables bring a bit of shine to the overall moody palette. In the dining room, a metallic bamboo étagère showcases treasures while an eye-catching light fixture casts a warm glow over the table. “We wanted our home to be sophisticated but comfortable, and I think it makes that impression,” says Laura.

For the family’s first Christmas together, Laura decided to deck every hall in the house, so she engaged Leah Hazzard of 3 Graces Design to work her magic. “I wanted each child to have his or her own Christmas tree, so we placed multiple trees in the house, plus another one outside by the swimming pool,” says Laura. In addition, Leah filled the home with an abundance of greenery to not only bring in the look of Christmas but also the scent. White lights, metallic touches, and a flocked tree complete the festive scheme that blends beautifully with the home’s interiors. “Leah really captured our style,” says Laura. “The outside is traditional with garlands and red bows, while the inside is more unexpected. Our ‘contemporary Georgian’ is dressed in its holiday best.”

The flocked tree shows off wintry style with white lights and shimmery ornaments.Containers of amaryllis signal the season.
A wreath pairs silver ribbons with felt snowflakes around its center.

White on White

Leah Hazzard’s Holiday Decorating Tips:
• Give yourself permission to buy a few new decorations to mix in with your old favorites.

• If you decide to go in a new color direction, perhaps choosing pale hues rather than red and green like Laura did, I advise investing in quality ribbons that complement your palette and can be used year after year.

Not everything needs to be precious. Use natural elements such as pine cones unadorned or spray-painted. Take clippings from a garland or tree to bring some cheer to a console table. Paperwhites and amaryllis in simple containers are always welcome and seasonal.

Use candles abundantly. They are ideal for warming up a large space. I like to put scented candles in places guests frequent, such as the foyer and powder bath.

RESOURCES: Interior Design: Lisa Flake, Caldwell Flake Interior Design, 205.222.9139, caldwellflake.com; Floral Design/Holiday Décor: Leah Hazzard, 3 Graces Design, 205.902.3635; Bookcase Collection: Details by Liz Hand Woods, 205.423.2993; Trouve, trouveinmountainbrook.com; Lamb’s Ear, lambsearltd.com; Art: Gallery 1930, artgallery1930.com; Foyer–Rug: 18th Street Orientals, 18thstreetorientals.com; Lamps: Hiltz-Lauber, hiltzlauber.com; Living Room–Upholstery: Richard Tubb, richardtubbinteriors.com, Circa Interiors, circainteriors.com

 

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Jewel Box Christmas: A Masterclass in Elegant Holiday Decor by Sybil Sylvester

For the living room, Sybil introduced a coral color that pops against the green walls. The swag over the mirror contains mixed evergreens and several types of amaryllis with a generous use of coral Midori silk ribbon. Photos by Jean Allsopp

A Belgium tapestry, a Napoleonic chest, an 18th-century Swedish classical mirror, a Dutch marquetry miniature cabinet, and an Italian table make up just a handful of the treasures that fill the elegant rooms in the Highland Park condominium of Chris Carter and John Dorsett. After downsizing from a house with an abundance of square footage, Chris, a former antiques dealer, had to make some hard choices, but the pieces he kept are very special to him. They include family heirlooms, antiques of varying periods and provenances, pieces he bought on travels with his grandmother, and newer items that Chris just likes. Guests are treated to a host of fascinating stories about the furnishings and art. But visitors at Christmastime, when the house is bedecked by Chris’s longtime friend and floral designer Sybil Sylvester, experience something even more unforgettable. “Sybil fills our home with fresh flowers, greenery, and satin ribbons,” says Chris. “And last year, visitors on the Independent Presbyterian Church Holiday Home Tour got to view her amazing work inside our home.”

Sybil created a garden of blooms, including Italian ‘Cloony’ ranunculus, viburnum, and garden roses, topped with a hand-tied garland resting between identical brass urns.

In the entry, an outstanding gilt mirror and an Empire chest and chairs, set against metallic gold Nina wallpaper, welcome guests and give a hint of what’s to come inside. A turn into the living room reveals a glorious presentation of coral-colored ribbons, abundant roses, lush greenery, and amaryllis. “The coral hue really stands out against the green walls, and the red florals tie in with the décor,” says Chris. For the dining room, the palette switches to jewel tones of teal and purple paired with chartreuse silk ribbons. “I pulled these rich shades from the beautiful rug,” says Sybil. “We also used these colors in the tablescape, as well as for the ornaments hanging from the chandelier, the sconces, and the candles.”

An antique ormolu-mounted rose bowl (which Sybil lined to protect it) shows off a mound of garden roses in varying shades of pink and red.

Throughout all the rooms, Sybil used Chris’s existing pieces to hold lush, textural, and colorful arrangements, taking care to line them or use water picks to protect the antiques. In her capable hands, a white soup tureen is perfect for lilies of the valley that appear to grow out of a bed of purple allium and green dianthus. “Sybil even placed a specially wrapped package on each child’s chair in my collection,” says Chris. Delicate satin ribbon tied to a handmade mini garland hangs between two urns in the master bedroom. To balance out the abundance of floral décor, the designer added simple, classic boxwood wreaths that adorn candelabra, mirrors, and a wooden statue in the den, along with mixed evergreen garland that festoons the crown molding and tops of mirrors. Best of all, Sybil and Chris had a grand time planning and putting it all together. As Sybil notes, “There was nothing more fun than helping one of my dearest friends put his best face forward at Christmastime!”

The dining room called out for shades of blue, green, and purple. The tablescape features white Paris porcelain serving dishes filled with flowers and placed on a boxwood runner.

Sybil’s Decorating Tips

  • Although we all want to get the decorations up early in the month, I recommend waiting to put greenery inside until the middle of December so it does not dry out and lose its beauty. I know it’s hard to wait, so placate yourself by decorating the outside of your home with wreaths and garlands at the beginning of the month.
  • Step outside your house and gather greenery, vines, berries, and branches. You’ll save money, and the just-plucked items from your yard will be fresher than those from the nursery—and they may last longer.
  • For Chris’s home, “more is more” worked because of the style of his interiors. However, if your décor is more contemporary, keep it simple and use a lot of greenery, ivy, and magnolia leaves. I like to spray-paint them in metallic finishes—silver, copper, or gold. Mix the sprayed pieces in with the evergreens for a subtle shine.
  • If you are entertaining a crowd, you want to make sure your decorations are visible. That’s why we hung the garland on the crown molding in the living room and decorated the tops of mirrors and the chandelier in the dining room. The height allows everyone in the room to see the festive décor.
  • As far as the color palette, anything goes these days! Last year, we did an ombre Christmas tree. It started out white on the bottom, then went to pink, peach, coral, and finally white on top. And you don’t have to do the same thing every year. Experiment and have fun—that’s the most important part!
An arrangement in an antique urn on a French chest includes a mix of greenery, amaryllis, and ilex berries.

Resources

Designer: Chris Carter, 205.908.9566; Floral design/holiday décor: Sybil Sylvester, Wildflower Designs, wildflowerdesigns.net, 205.229.2416

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